Sample Project Work
Industry Placement (Second Year) - Real World Learning Module
Students contribute to 1916 Exhibition:
Students on Placement at Print Museum |
Exhibition, May- September 2016
Exhibition Room, Seditious Types |
Industry Placement (Third Year) - Independent Learning Module
Daniel Rooney |
Daniel Rooney published an article based on his study of the Horgan Archive at the Irish Film Institute. This research developed from his work on Research Placements at the National Irish Visual Arts Library and the Irish film Institute Archive.
Film Still, Leaving Mass, c 1911, Horgan Collection |
See pages 17-19 for Daniel's article, ARA Newsletter, Autumn 2014 "Researching the Hogan Archive at the IFI Irish film Archive in Archives and Records Association of Ireland, Newsletter Autumn 2014.
Daniel is currently completing a MA in Visual and Critical Studies at the Dublin School of Creative Arts, focusing on Death Metal and Performance Art.
Third Year Talking Points Module
2015 - Students organize public seminar on Perspectives of Love and Other Things, held at Grangegorman, DIT.
2014 - Students organize public seminar on Horror in Contemporary Visual Culture, held at Irish Museum of Modern Art.
2013 - Students organize public seminar on Post-Feminism and Visual Culture, held at IMMA, with guest speakers Eimear O'Connor and Siun Hanrahan. Aurelie Sicard was invited to chair the event.
2012 - Students hold public seminar at Little Green Street Gallery on: Cool Capital - Has Dublin Got it?
Second Year Archive Studies Module & Site Visits
Students have research visits to the archives, collections and libraries of Visual Culture Industry, many of whom are also placement partners. Here are some of our site visits:
Students study the Pearse Museum Archive |
Students visited the Centre for the Study of Irish Art |
Exhibition visit to Project Arts Centre |
Publication of Review Article on The Little Museum of Dublin, by 2nd Year Students in Professional Journal: Museum Ireland 2011
Some Recent Final Year Thesis Topics
An Ominous Journey down
a Lost Highway to Mulholland Drive. Fear, Anxiety and Dread: The Affective
Aesthetic of David Lynch considers the surrealist aesthetic of the films of
David Lynch through the lens of psychoanalysis.
The Impact of Urban Art
on Two Recession-hit Cities: Dublin and Detroit provides a
visual and socio-economic analytic context for a definitively contemporary and
popular art form: urban art.
Glasnevin Cemetery
and Museum: A Site for the Dead and for the Living investigates the site of Glasnevin Cemetery
and Museum and the implications of the incorporation of a museum within the
same space as a working cemetery.
Objects: Their
Agency, Alterity and Ambiguity explores the relationship and
interconnectivity between humans and objects through an examination of material
culture, mimesis and agency, with a comparative casestudy of two exhibitions:
Alan Counihan’s Personal Effects 2012-2016
and Michael Landy’s Breakdown 2001.
Commemoration through
Photograph: Examining 1916 Easter rising in Today’s Society looks at the ways
in which photography place a role in remembrance in the second and third generations.
24, Homeland, Others studies tensions around representations of cultural difference performed through popular American TV series centred on themes of security.
Hipper than thou - the hipster conformist: Is anti-mainstream the new mainstream? questions the visual culture of hipster as necessarily indicative of avant garde practice.
24, Homeland, Others studies tensions around representations of cultural difference performed through popular American TV series centred on themes of security.
Hipper than thou - the hipster conformist: Is anti-mainstream the new mainstream? questions the visual culture of hipster as necessarily indicative of avant garde practice.